By Jesse Dixon Hugh Jackman is Robin Hood in Michael Sarnoski’s dark reimagining of the classic legend, more brutal and bloody than ever before. Something is changing in the world… Read More
Tag: Reviews
Review: Yellow Letters (SFF26)
Reviewed by Jesse Dixon WINNER of the 2026 Berlin Film Festival, and from the director of The Teachers Lounge comes a fresh political thriller where no one can separate… Read More
Review: Fjord (SFF26)
The Degrees of Separation: A review of Fjord by Aksharaa Agarwal It’s a haphazard routine at the sinking of a ship, set to the sound of Amazing Grace. Those are… Read More
Review : The Best Summer (SFF26)
Review by Molly Page The Best Summer reminded me a lot of 1991: The Year Punk Broke because of it’s a blend of concert videos and behind the scenes of… Read More
Review: Sundays (SFF26)
Los Domingos, or ‘Sundays’, written and directed by Alauda Ruiz de Azúa, tells the story of 17-year-old Ainara grappling with the decision to devote her life to her Christian faith… Read More
Review: The Currents (SFF26)
She lies turning away: A review of The Currents by Aksharaa Agarwal One might presume to think long and hard about The Currents. Confrontation and interiority are always ripe for provocation. The… Read More
Review : The Premiere
By Aksharaa Agarwal All it takes is an idea. In the dark, a booming voice proclaims, ‘all is dead, save the light, which falls on Michael Caine.’ (This must’ve been… Read More
Persian Film Festival : Cutting Through Rocks
by Billy Newbery The 12th Persian Film Festival has kicked off with its first film, Cutting Through Rocks. The film centres on the incredibly stirring and empowering tale of a… Read More
Review: Calle Málaga
by Billy Newbery In Calle Málaga, we are welcomed into a simple, straightforward story with a big heart. One that joyfully plays on the edge of pain and pleasure throughout… Read More
Review: Hokum
by Molly Page Hokum is a claustrophobic horror film which has a great central performance from Adam Scott and plenty of scary moments. Damian McCarthy’s third feature film was met… Read More










